Thursday, October 6, 2011

-Mr. Bones: There is.


“Jumped,” they said—though I doubt he jumped. “Jump” is what a kid does when he’s happy. “Jump” is what a child does on a trampoline, or when catching a ball, or when entering a swimming pool. The word itself is fun. “Ju,” like the release of a springboard, then the flat, startling revolution of heels to the ground: “mp.”

Maybe they used this word, instead of “fell”—I’m sure it was more of a falling—or perhaps “slipped,” because it invokes some sort of affirmation. You don’t just “jump” from a bridge and plummet 70 feet to your death on the cold bank of a river about as inviting as the concrete floor of a bar in the winter. You surely don’t do it for height or distance, as a child might do off a bench or swing set at a park, drawing lines in the sand each time to measure his success.

But now, a new term to accompany this already unsettling word: This time, “bounced.” Again an unusual, playful word. I hadn’t realized that he never made the splash, until I spoke with a professor, who had walked that very bridge cautiously and reverently, but with a feeling of hope—as if on a balancing beam—every day on his way to school, years ago.

“He could never get a damn thing right in his life, the poor guy. He didn’t even make the river. He bounced.”

Maybe he intended it this way. I have heard it rumored that he waved on his way down, before he took his final bow. Perhaps he saw the irony. There, on that bank, body like a wrung-out rag, eyes still and gazing, he niched himself a place in history where he might watch the river flow, but never drink again. 

Thursday, September 22, 2011

I wrote a poem some time ago that resulted from me trying to stomach some form of revolutionary existentialism that I was dealing with at the time, which is now a mere picture—with caption—in my mind. I remember thinking, and being told, that it was one of my best pieces at the time, at just 4 incredibly short lines. It seemed appropriate to make it short, in accordance with my irrational fear of diminishing into nothing, as if the 19 years I had spent in this life had somehow met their limit and I was going to croak any second.

Well, that was a matter of perspective, as I curved backward, staring through the open mouth of a skull and down the spine of a Camarasaurus.

Here’s the poem I wrote:

Museum

Curious, our sudden
fascination with bones.
Statuesque, we were,
among other things, dying.


Yesterday, too, I encountered a new perspective. This time, as a result of reading a Billy Collins’ poem titled “Memento Mori,” which captures most of the original feelings that I had at the time, and twists them into lighthearted, easier-digestible form. I used to think that I wasn’t a fan of Collins, but I’ve recently come to realize that which draws so many readers to his words: connection. He is able to take many common thoughts and ideas that we encounter and make them magnificently profound, and he’s damn good at it.

Here’s a link to the poem: Memento Mori


Cody